Course Catalog
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| Course code & No. | Course Title | Course Description | Offering Unit |
|---|---|---|---|
| FA 10 | Visual Perception | Phenomena of perception and the concept of form in the visual arts. | SA, VC |
| FA 11 | Visual Communication I | SA, VC | |
| FA 12 | Techniques I | Problems in volume definition in terms of chiaroscuro; renderings in various media and of different subjects | SA, VC |
| FA 13 | Techniques II | Problems in schematic volume definition; renderings of forms in various media. | SA, VC |
| FA 14 | Materials I | Analysis of the nature and possibilities of basic art materials. | SA, VC |
| FA 15 | Materials II | Analysis of the nature and possibilities of basic art materials and their structural implications. | SA, VC |
| FA 16 | Western Art History | The development of the visual arts in the West and its influence, from pre-history to the present, in the context of production | Theory |
| FA 17 | Philippine Art History | The development of the arts and design in the Philippines, from pre-history to the present, in the context of production | Theory |
| FA 18 | Asian Art History | The development of the arts and design in major regions of Asia and their influences, from pre-history to the present, in the context of production | Theory |
| FA 20 | Visual Communication II | Continuation of Visual Communication I. | VC |
| FA 20.1 | Visual Studies and Design I | Problems of visual organization in design. | VC |
| FA 20.2 | Visual Studies and Design II | Continuation of Visual Studies and Design I. | VC |
| FA 21 | Art History | A historical study of the development of styles in the visual arts through the ages. | VC |
| FA 22 | Techniques III | VC | |
| FA 22.1 | Techniques and Figure Drawing I | Color form and rendering. | VC |
| FA 22.2 | Techniques and Figure Drawing II | Continuation of Techniques and Figure Drawing I. | VC |
| FA 23 | Design Techniques IV | Philippine ethnographic art with emphasis on varied traditional art/crafts as sources for contemporary design. Research and studio work. | VC |
| FA 24 | Materials III | Analysis of the nature and possibilities of solid materials, e.g. clay, wood, metal, etc. | VC |
| FA 24.1 | Materials and Production Methods I | Analysis, exploration and preparation of materials for art production and reproduction. | VC |
| FA 24.2 | Materials and Production Methods II | Continuation of Materials and Production Methods I. | VC |
| FA 25 | Painting Techniques IV | Advance studies in colour and form; specialised problems in colour and visual organization. | VC |
| FA 27 | Materials IV | Advance studies in the structural possibilities and limitations of solid materials. | VC |
| FA 28 | Arts in the Philippines | Theory | |
| FA 30 | Art Pleasures | Theory | |
| FA 100 | Introduction to Computer Art and Design | An introduction to computer graphics hardware and software. Lecture and studio work. | VC, SA |
| FA 100.1 | Painting I | Exploration and analysis of various concepts in painting carried in different media and techniques. Research and studio work. | VC |
| FA 100.2 | Painting II | Continuation of Painting I. | VC |
| FA 101 | Computer Art and Design Theory | The computer as alternative medium for art and design. Lecture and studio work. | VC, SA |
| FA 102 | Life Drawing | VC | |
| FA 103 | Advanced Life Drawing | Continuation of Life Drawing. | VC |
| FA 104 | Still-Life Painting | VC | |
| FA 105 | Life Painting | VC | |
| FA 106 | Advanced Life Painting | VC | |
| FA 107 | Landscape Painting | VC | |
| FA 108 | Advanced Landscape Painting | VC | |
| FA 109 | Commercial Art | VC | |
| FA 110 | Pictorial Composition | VC | |
| FA 111 | Advanced Pictorial Composition | VC | |
| FA 112 | Elementary Modelling | VC | |
| FA 113 | Modelling from Cast | VC | |
| FA 114 | Life Modelling | VC | |
| FA 115 | Advanced Life Modelling | VC | |
| FA 116 | Engraving | VC | |
| FA 117 | Advanced Engraving | VC | |
| FA 118 | Elementary Sculpture Composition | VC | |
| FA 119 | Sculpture Composition | VC | |
| FA 120 | Advanced Sculpture Composition | VC | |
| FA 120.1 | Advanced Visual Studies I | The study of visual phenomena in relation to painting construction possible with contemporary materials, media and techniques, such as light, etc. | VC |
| FA 120.2 | Advanced Visual Studies II | Continuation of Advanced Visual Studies I. | VC |
| FA 121 | Perspective | VC | |
| FA 122 | Anatomy | VC | |
| FA 123 | History of Arts | VC | |
| FA 124 | Art Appreciation | VC | |
| FA 125 | History of Architecture | VC | |
| FA 126 | Home Interior Design | VC | |
| FA 127 | Industrial Design and Composition | VC | |
| FA 128 | Composition in Oil | VC | |
| FA 130 | Composition in Sculpture | VC | |
| FA 130.1 | Chiaroscuro I | Light and shadow as elements of visual composition. Studio and field work. | VC |
| FA 130.1 | Advertising Design I | VC | |
| FA 130.2 | Chiaroscuro II | Continuation of Chiaroscuro I. | VC |
| FA 131 | Thesis Sculpture Composition | VC | |
| FA 131.1 | Applied Visual Studies I | Visual concepts and their creative interpretation in popular artforms. Studio and research. | VC |
| FA 131.1 | Editorial Design I | VC | |
| FA 131.2 | Applied Visual Studies II | Continuation of Applied Visual Studies I. | VC |
| FA 131.2 | Editorial Design II | VC | |
| FA 132 | Nature Study | VC | |
| FA 132 | Photography | VC, VC | |
| FA 133 | TV and Film Graphics | Practical application of solutions to problems in graphic arts for television and motion pictures with emphasis on aesthetics. | VC |
| FA 142 | Advertising Design III | VC | |
| FA 144 | Editorial Design III | VC | |
| FA 145 | Advertising Design IV | VC | |
| FA 147 | Editorial Design IV | VC | |
| FA 152 | Art in the Ancient World | Theory, VC | |
| FA 160 | Baroque Art | Theory | |
| FA 172 | Chinese Art | VC | |
| FA 174 | Principles of Japanese Art | VC | |
| FA 176 | Principles of Indian Art | VC | |
| FA 199 | Research Methods | Theory, SA, VC | |
| FA 200 | Thesis | Theory, Theory, SA, SA, SA, Theory | |
| FA 201 | Theories in Art Practice 1 | Theories in the production of visual art until Modernism | GRADUATE |
| FA 202 | Theories in Art Practice 2 | Contemporary theories in the production of visual art. | GRADUATE |
| FA 202 | Advanced Art Theory in 3D Art | GRADUATE | |
| FA 203 | Visual Communication Theories in the Visual Arts | Issues and problems in visual communication. | GRADUATE |
| FA 211 | Problems of Structure in Art Production | Seminar on problems of structure in production i the context of individual art practice. | GRADUATE |
| FA 213 | Art Seminar (Foreign Influences on Philippine Art Late 1800-1942) | GRADUATE | |
| FA 214 | Art Seminar (Foreign Influences on Contemporary Philippine Art) | GRADUATE | |
| FA 215 | Production of Space in the Visual Arts | Seminar on problems of space in art production across different media. | GRADUATE |
| FA 221 | Contemporary Approaches in Art Production | Studies and explorations of contemporary methods and approaches to art production. | GRADUATE |
| FA 233 | Applied Visual Communication | Seminar on problems of space in art production across different media. | GRADUATE |
| FA 233 | Art Seminar (Special Problems on the Exploration and Utilization of Visual Communication Materials and Techniques) | GRADUATE | |
| FA 235 | Art Seminar (Advanced Experimentation on Possibilities of Integration of Different Art Materials and Techniques into One Art Structure) | GRADUATE | |
| FA 235 | Directed Art Production and Research | Seminar on practice-based research and production in the visual arts. | GRADUATE |
| FA 236 | Art Production and Research Colloquium | Seminar-Workshop on practice-based thesis proposal development. | GRADUATE |
| FA 241 | Workshop in Advanced Photography | GRADUATE | |
| FA 300 | Thesis | GRADUATE | |
| FA 200 - Theory | Thesis (Art History) | VC | |
| FAID 27 | Perspective | Perspective techniques, analysis of visual organisation in two-dimensional and three-dimensional design | VC |
| FAID 38 | Ergonomics | Fundamental concepts of human factors in design. | VC |
| FAID 150.1 | Industrial Design I | Design concepts, methodologies and theories of utilitarian forms. | VC |
| FAID 150.2 | Industrial Design II | Continuation of FAID 150.1. | VC |
| FAID 155 | Advanced Industrial Design | Comprehensive problem analysis on definition and execution of product design projects. | VC |
| FAID 160.1 | Package Design I | Design concepts, methodologies and theories of packaging. | VC |
| FAID 160.2 | Package Design II | Continuation of FAID 160.1. | VC |
| FAID 165 | Advanced Package Design | Comprehensive problem analysis on structure and graphic production of package design projects. | VC |
| FAID 170.1 | Product Systems Design I | Design concepts, methodologies and theories of interrelated functional structures. | VC |
| FAID 170.2 | Product Systems Design II | Continuation of FAID 170.1. | VC |
| FAID 175 | Advanced Product Systems Design | Analytical research, planning and design execution of product systems projects. | VC |
| FAID 195 | Practicum | Apprenticeship in the Design Department of Agencies. | VC |
| FAID 196 | Professional Seminar Workshop | Concentrated production work experience in any major area of specialization. | VC |
| FAID 200 | Industrial Design Thesis | Industrial design research project in any major area of specialization. | VC |
| FAVC 198 | Film and Audio Visual | Film Internship. | VC |
| FAVC 199 | Sound Production and Film and Audio-Visual Communication | Audio principles and techniques for film and audio-visual productions. | VC |
| FAVC 200 | Thesis | VC |